![]() No going upstairs for the hobbit: bedrooms, bathrooms, cellars, pantries (lots of these), wardrobes (he had whole rooms devoted to clothes), kitchens, dining-rooms, all were on the same floor, and indeed on the same passage.The best rooms were all on the left-hand side (going in), for these were the only ones to have windows, deep-set round windows looking over his garden, and meadows beyond, sloping down to the river. The tunnel wound on and on, going fairly but not quite straight into the side of the hill – The Hill, as all the people for many miles round called it – and many little round doors opened out of it, first on one side and then on another. ![]() The two main points to consider when deciding on a setting are time period and location. For instance, a novel set in 18th-century England will be entirely different from a short story that takes place on Mars. ![]() PLOT Plot is the author’s arrangement of events in the story. In any work of fiction, the setting is an essential element that influences the work’s plot, characters, and theme. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats – the hobbit was fond of visitors. Elements of fiction: I.PLOT II.SETTING III.CHARACTRS IV.POINT OF VIEW V.THEME. It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. IN A HOLE in the ground there lived a hobbit. ![]()
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